Dean Wyatt creates multi-layered abstract paintings that are rich in color and texture and inspired by the landscapes of his native southwest Oklahoma. Of his work, Wyatt explains “I use landscapes as a backdrop to explore other themes. Most of my recent works depict some type of transition, whether day to night or the moving away (or toward) something. [more]

Rita Rowe is a native Oklahoman and a lover of art from an early age.
Educated in Tulsa Public Schools, she studied art at Tulsa Junior College and University of Tulsa.  She has participated in many private workshops. 

After spending a career in advertising and media, Rita retired and is finally able to devote time to her painting.  She is an active member and juried participant in exhibits of Tulsa Artists Coalition, Visual Arts of Oklahoma and Fiber Arts of Oklahoma.  She works primarily in watercolor and acrylic painting, mixed media, weaving and paper making.

Please call or text me at 918.640.0497

Rebecca Joskey is an emerging painter with 20 yrs working experience as a mosaic artist and 6yr as painter. Abstract expressionism has been her focus with geometric images and bold color combinations. [more]

My work exists in the spaces near memories and experience. I look to engage the viewer in a visual discourse between the inherent sensuality, (history), of the figure and the fiction of memory’s recreation of experience. [more]

My work is made entirely of felted wool I make and dye by hand. Making my own materials is an important part of my artistic process because it allows me to have a hand in every aspect of creating my art from start to finish. The unpredictability involved always yields unique and interesting results. Oftentimes holes, irregular edges and sizes, and interesting variations in color and texture occur. I never get the same shape or color twice, making each piece of felt I create totally one of a kind. I use the material and its imperfections to inspire me and guide my decision-making process about the art I create. Through the use of techniques such as stitching, quilting, applique, and reverse applique I turn what was once just plain white wool into colorful and dynamic abstract landscapes.

My inspiration comes from aerial photography, satellite images, and textures and shapes found in natural environments. From high above, the details of a place are stripped away leaving only an elegant design of intersecting, shapes, colors, and lines. I take thousands of miles of land and turn it into mere inches of felt and stitching, providing a unique overview of an expansive space that cannot adequately be seen and understood from the ground. I am particularly interested in representing landscapes where natural and man-made environments intersect and have a compelling influence on each other. I often use as inspiration areas affected by climate change, natural disasters, and human use. My intent is to create a simplified and thought-provoking way to view land, our impact on it, and relationship to it while leaving the work open to interpretation, putting no demands on the viewer to see one particular type of landscape over another.